proves that you don't need a big expensive set or computer-generated effects to tell a rich, riveting, action-packed story
Holmquist’s choreography of the action makes a stage smaller than most living rooms seem sprawling
It's spectacular when it needs to be and otherwise driven by character and imaginative variations on archetype.
Gaiman fans should be thrilled, but you needn’t know the novel to enjoy this lively fantasy adventure on stage.
Really it’s like watching Dave McKean produce a brilliant episode of Doctor Who with three people, a sock puppet, and the contents of a glove compartment; the anti-Avatar if you will.
Holmquist’s choreography of the action makes a stage smaller than most living rooms seem sprawling
It's spectacular when it needs to be and otherwise driven by character and imaginative variations on archetype.
Gaiman fans should be thrilled, but you needn’t know the novel to enjoy this lively fantasy adventure on stage.
Really it’s like watching Dave McKean produce a brilliant episode of Doctor Who with three people, a sock puppet, and the contents of a glove compartment; the anti-Avatar if you will.
Yeah, so, word of mouth has been great and the show is selling out 5 shows a week! Imagine that - almost 500 people a week are coming to see Neverwhere and audiences are often hoping to their feet to applaud the cast for a second bow. It is, as you can probably see, very gratifying for me and Rob and the rest of the cast and crew.
Tonight I am rushing up to the theatre for an interview with Talk Theatre In Chicago, who will produce a podcast with scenic designer Alan Donahue and projection designer Charlie Alves talking with me about making our little stage space seem like London Below.
And for those of you unable to get to Chicago for the event, here's a teaser trailer...
